Devo - Hardcore Devo vol. 1 & 2

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Devo - Q : Are We Not Men A : We Are Devo! (1978)

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Nico Muhly - Speaks Volumes (2006)

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Twenty-five-year-old composer Nico Muhly has been a bit of a celebirty in downtown New York circles recently, having worked with everyone from Antony (who guests on this record) to Philip Glass to Bjork. One of his symphonies premiered at Avery Fisher Hall when he was 22, and he has been promoted heavily by New Yorker critic Alex Ross. His debut here on the promising Bedroom Community label features seven gorgeous tracks combining electronics and acoustic chamber music, and it’s a stunning record in myriad ways. Produced by Valgeir Sigurdsson (Bjork, Bonnie “Prince” Billy), Speaks Volumes is an album that defies easy categorization, ostensibly classical, but with a playfulness and sense of adventure that separates it from traditional chamber music. Muhly throw much into the mix, from soft violins to staccato reeds to heavy percussion, creating an exquisite record never lacking in humor and fun. The amazing closer, “Keep in Touch,” features a stream of violas matched with Antony’s wordless vocals, bringing the record to a powerful finale.

Source : soundfixrecords

Nico Muhly - Mothertongue (2008)

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Within the space of his short, yet incredibly illustrious career, Nico Muhly has contributed his talents as an arranger to recordings by Bjork, Bonnie 'Prince' Billy, Rufus Wainwright and The National, while also enjoying a successful sideline as a composer in his own right, presenting works in conjunction with a variety of high profile orchestras - he even finds time to work as a performer and conductor for Philip Glass on his various film soundtracks. Mothertongue is the sophomore solo effort from Nico Muhly, following up on the wide acclaim of his 2006 debut, Speaks Volumes, and marking a further step towards genre cross-pollination and a more avant-garde approach to the conventions of composed music. The album is segmented into three different suites, the first (itself titled Mothertongue) being an exercise for ensemble and choir, which begins with female vocalists chanting numbers and dispensing information as if sifted through some granular synthesis plugin. In addition to the predictably luscious string section backdrop, Muhly injects some electroacoustic presence into the mix on 'Shower', via watery samples, and chiming glockenspiel and piano strikes, mirroring the raindrop effect given by the recordings. This first cycle of pieces concludes with 'Monster', the final component of the Mothertongue suite, characterised by bold, percussive chord changes and an awkward time signature, all made to sound thunderous under the supervision of producer Valgeir Sigurdsson, who brings a heaviness to the sound balance you'd be unlikely to find on many other recordings in the field of modern composition. The next suite is titled Wonders, and retains the female choir from Mothertongue, this time setting it against harpsichord, percussion and brass arrangements, often sounding quite playful in its rhythmic instability and occasional ventures into discord. The final sequence, titled 'The Only Tune' is a collaboration with fellow Bedroom Community artiste, Sam Amidon, who helps fashion an exended folk narrative, beginning with the banjo plucking of 'The Two Sisters' before shifting into less familiar territory on the bluegrass operatics of 'The Old Mill Pond'. By this point, any notions of comfortable, conservative Americana are out the window and you're confronted by a highly experimental clash of vastly different musical schools, before finally, 'The Only Tune' restores a semblance of normality with a lovely piece of widescreen folktronica. Quite unlike anything you're likely to encounter, this second album from Nico Muhly shows even greater ambition than its predecessor, establishing a language that's far removed from the kind of easy-going post-Blue Notebooks modern composition that's become so widespread. Very highly recommended.

Source : Boomkat

Tom Waits - Real Gone (2004)

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All songs written by Tom Waits and Kathleen Brennan.

1. "Top of the Hill" – 4:55
   • Larry Taylor - Bass
   • Marc Ribot - Guitar
   • Brain - Percussion
   • Casey Waits - Turntables
   • Tom Waits - Vocal
2. "Hoist That Rag" – 4:20
   • Les Claypool - Bass
   • Marc Ribot - Guitar
   • Brain - Percussion
   • Casey Waits - Percussion
   • Tom Waits - Vocal
3. "Sins of My Father" – 10:36
   • Larry Taylor - Bass
   • Marc Ribot - Guitar, Banjo
   • Tom Waits - Vocal, Guitar
   • Brain - Percussion
4. "Shake It" – 3:52
   • Les Claypool - Bass
   • Brain - Percussion, Claps
   • Larry Taylor - Guitar
   • Marc Ribot - Guitar
   • Casey Waits, Mark Howard, Trisha Wilson - Claps
   • Tom Waits - Vocal
5. "Don't Go into That Barn" – 5:22
   • Larry Taylor - Guitar, Bass
   • Harry Cody - Guitar
   • Brain - Percussion
   • Casey Waits - Percussion
   • Tom Waits - Vocal, Percussion
6. "How's It Gonna End" – 4:51
   • Harry Cody - Banjo
   • Larry Taylor - Bass
   • Tom Waits - Vocal, Guitar
7. "Metropolitan Glide" – 4:13
   • Larry Taylor - Bass
   • Harry Cody - Guitar
   • Brain - Percussion
   • Casey Waits - Turntables
   • Tom Waits - Vocal, Guitar
8. "Dead and Lovely" – 5:40
   • Larry Taylor - Bass
   • Casey Waits - Drums
   • Marc Ribot - Guitar
   • Tom Waits - Vocal, Guitar
9. "Circus" – 3:56
   • Tom Waits - Vocal, Chamberlain
   • Casey Waits - Drums
   • Mark Howard - Bells
10. "Trampled Rose" – 3:58
    • Marc Ribot - Cigar Box Banjo
    • Larry Taylor - Bass
    • Brain - Percussion
    • Tom Waits - Vocal
11. "Green Grass" – 3:13
    • Larry Taylor - Bass
    • Tom Waits - Vocal, Guitar
12. "Baby Gonna Leave Me" – 4:29
    • Les Claypool - Bass
    • Marc Ribot - Guitar
    • Brain - Percussion
    • Tom Waits - Vocal, Shakers
13. "Clang Boom Steam" – 0:46
    • Tom Waits - Vocal
14. "Make It Rain" – 3:39
    • Larry Taylor - Bass
    • Casey Waits - Drums
    • Marc Ribot - Guitar
    • Tom Waits - Vocal
15. "Day After Tomorrow" – 6:56
    • Larry Taylor - Bass
    • Marc Ribot - Guitar
    • Tom Waits - Vocal, Guitar
16. "Chickaboom" – 1:17 (hidden track)
    • Tom Waits - Vocal